RH: Well, it's been a crazy couple of months, hasn't it?
Duffy: I looked at the diary today and there's literally only one week off
in the whole of 2008. It's a bit daunting, but it's exhilarating, too. I
really don't know what's around the corner. I suppose that's the same for
loads of people, though. I have friends back home in Wales who are looking
for new jobs, or who've just come back from travelling, who are in the same
boat. Me releasing a record isn't really any different.
RH: Except, suddenly the whole world wants a piece of you. That must feel weird?
Duffy: It's funny, I spent four years working on my album and I've hardly even
discussed my music with my friends or family, so it feels odd that so many
people are suddenly interested. The result is that I seem to be spending a
lot of time talking about myself. I'm actually learning a lot about myself
through it, but some questions are impossible!
RH: Like what?
Duffy: "Where did you get your voice from?" How do you answer that?
I wish I could say something exciting like, ‘I found it hidden in a box
under my mother's bed labelled, Voice,’ but it's just my voice! It's
like asking someone with brown eyes where they got them.
RH: Anything in the press that has really annoyed you?
Duffy: People saying that I called myself Duffy, rather than my full name,
Amy Duffy, to avoid references to Amy Winehouse or Amy Macdonald. That's just
silly. Duffy is my surname, it's what everyone called me at school and it's
what I decided about six years ago that I wanted to be known as. The other
thing I get a lot of is that I'm a naive little girl from Wales, but I'm 23
and I've lived in London for two years. And while we're on the subject of annoying
things, I seem to have developed a fear of flying!
RH: Four years is a long time to make an album – how come it took so
long?
Duffy: Well at the start no one knew I was a songwriter, so I was having songs
written for me. It wasn't until I was encouraged to write that we really found
out who I was. Jeannette Lee and Geoff Travis from Rough Trade heard some demos
I was singing on, and I met up with them in a pub and we instantly connected.
So together Jeannette and I embarked on making a record. At the beginning we
were searching to find out in what capacity I was going to make it. Then we
struggled a little geographically since I was living in North Wales. But about
a year and half ago I moved to London and that time has been really, really
productive.
RH: Was there a sense of small town girl coming to the big city?
Duffy: I was working closely with Rough Trade, and at first I had little confidence,
maybe I was a bit untrusting due to my experiences in the past. At 18 I felt
quite battered and bruised, I had done everything I could to get to where I
wanted to go. But when I started working with Jeannette I began to relax, and
went on a journey of discovering music.
RH: Although you live in London you're obviously still very connected to Wales.
Does that influence your songwriting?
Duffy: I think North Wales is my version of Southern soul, because it’s
really green and slow-paced which influenced a lot of my earlier songs. But
as I got to the city, my tempo was upped and I felt a bit more strength in
some areas. My songs became more about society. Syrup and Honey is about how
people who love each other, family or otherwise, can't find the time to be
with one another. No one song defines me – the whole record does.
RH: You worked with Suede's Bernard Butler on your album. Were you starstruck
when you first met him?
Duffy: I have to say, I didn’t know who Bernard was when I met him! I
mean, I knew Suede because I’m a girl of the 90s, but only on the radio.
So I wasn’t a crazy Bernard Butler fan when I met him, but now I'm a
genuine fan. It's just a really natural working relationship. I don't walk
into the room thinking, 'Oh my god I'm in the studio with one of the greatest
guitarists ever'.
RH: Do you write about personal experiences?
Duffy: No. Of course there's an element of that in there, but I don't write
with the intention of being autobiographical. And I don't feel like I've got
any love hangovers or anything like that - I'm not writing messages to anyone
about how I felt about them, I'm just writing stories.
RH: What was it like growing up in North Wales?
Duffy: The town where I grew up, Nefyn, was pretty remote, and there wasn't
much to do. When we were about 12, me and my two best friends, Delyth and Delyth
(we call them "the two Delyths"), would go to my dad's shed, light
candles, tell spooky stories and smoke lots of cigarettes. Actually, maybe
that's where I got my voice from! [When I was older] I was a terror. I'd have
about five bands going on, and each band wouldn't know about the other. I was
like a pessimistic lover: I knew that none of them would work out, but I would
keep them on the go for enjoyment's sake.
RH: You did achieve some err, early success though coming second in Wawffactor.
Duffy: I kind of got myself into something I couldn't get out of. I didn't
understand it; I had no idea what I was doing. It was the worst experience
of my life. I had no faith after that, no self-esteem. I didn't trust my judgment.
RH: Your voice is remarkably soulful. Is it completely natural or something
you’ve had to work at?
Duffy: My voice has always been there but in the past two years I've had to
understand it a bit more. The truth is I have a different range that I can
sing in and I think it comes through on record. I don't think I stick to the
one aspect of my voice, though – sometimes I'll use a different part
of my voice. I've come to understand my voice more, cutting away the rough
edges if you like – though it's still rough!
RH: Who are your main influences and what are you listening to right now?
Duffy: I love Scott Walker. His early stuff like If You Go Away, it's so romantic.
I’ve got into Bowie. I'm obviously familiar now with Suede, The Smiths,
Dylan, Leonard Cohen, there's so many. I could just go on and on, I'm just
obsessed. I enjoy so much finding a record I've never heard before. It's like
the most beautiful summer's day to me, I just feel so overwhelmed.
RH: Touring's tough going, but most artists say it's the best thing about this
whole damn business. Do you agree?
Duffy: Oh yes! I get on stage and I sing my heart out and I feel like I've
fallen in love. I've never had a feeling like it. I've never fallen in love
by the way, so I don't really know what love is. That's why I write about it,
I suppose. When I get on stage and sing these songs I feel like I could cry.
It's not about the money, it's not about the fame. I'm just going to keep going.
I never want to stop this.
RH: But you'll have to stop eventually or you'll burn out! Once this round
of touring is over; what’s next?
Duffy: I want to go out and have a laugh, and maybe I'll go on a couple of
dates. Why not? I want to have a couple of dates! Basically, I want to do all
the normal things that any other single 23-year-old wants to do.
Read the latest about Duffy at www.iamduffy.com Rockferry is in shops now
And so does the rest of the universe. But somehow she’s keeping her Welsh feet firmly on the ground. Interview by Chris Apput